dark clear cassette – c20 limited to 50 copies
treated equally, with same cruelty.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. for the first time, past due records is reissuing lees incredible free & easy lp which was only released as a handful of test pressings in 1981 because lee thought the record was too good to release on his score records label. it is a pure memphis modern soul / boogie funk masterpiece that features countless artists from the stax crew, al greens vocalists and even herbie hancocks keyboard player. the 1981 test pressing has commanded huge sums of money on the used vinyl market and is one for the real soul connoisseur

privately pressed to lp in 1978 under the name j. jasmine and made especially for the ann arbor film festival, with artistic collaboration from the festival’s founder and once group artist, george manupelli, my new music is the debut album by jacqueline humbert and david rosenboom. featuring a cast of mills college personalities like david behrman and sam ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of rosenboom. if it weren’t so spot on, you’d swear it was a guilty pleasure. as j. jasmine writes, my new music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person’s fantasies can contribute to another person’s freedom. get lost in j. jasmine’s world for a little long while, and be free.

theory of movement is a collaboration between two die hard electronic music enthusiasts, dan piu and grant, who came together by there shared passion. this 3xlp is the sum of all these year spent collecting records, recording and performing.
over a triple lp they paint a clear vision of their taste and style.

2018 white vinyl repress incoming!
genosha basic artists, ghost in the machine make their perc trax debut! full picture sleeve perc trax returns to the dance floor after the political firestorm that was perc s bitter music with the debut release on the label from the netherland s ghost in the machine. the perc and therefore perc trax name stems from the word percussion and these three drum-focused tracks sum up the label s name perfectly. rarely appearing away from their own genosha basic imprint this ep hits as hard as anything on perc trax in recent years and along with recent releases from ansome and scalameriya ushers in a new wave of artists and a distinct new chapter in the perc trax story. the holy grill commands the whole of the a-side and charges forward until a reese led breakdown gives you a moment to pause for breath. the b-side contains two percussive workouts that have enough movement and development to them to elevate them above simple drum tools. as b2 track pskdt s locked groove loops endlessly (a first for perc trax), it is clear this ep is a hard-hitting statement of intent from a duo you should be hearing a lot more on perc trax in the near future.

the next collaborative release between freeride millenium and pauls musique is a terrific two-tracker from manchester artist joseph louis harland manning under his new alias los angeles with the 7? vinyl release artwork designed by daniel rajcsanyi as part of his ‘baby exhibition in austria. joseph louis harland manning was the drummer of the band wu lyf and is involved in projects like los porcos, the mancunian boyband menage a trois and dream lovers. under his other aliases he released on aficionado, cracki, ocean records and is it balearic? sub label u?ber as well as having made music videos for molly nilsson. here he is fine form across a pair of delicate and moving synth tracks. opener ‘lamour is a gentle cut that starts with celestial chords and wide-open expanses of synth before a buried deep groove slowly comes to the fore. breathy vocals also add to the loved-up, dreamy feel and the whole thing carries you away in a majestic reverie that shifts from ambience to new age house. the track features the artists own field recordings from the streets of berlin, twisting up sounds from the sidewalk into percussive notes that give an organic feel. the perfectly soothing second offering is ‘i wanna go to heaven is a gorgeous synth piece that suspends you in a crystal clear blue sky on a warm summers day. chords are smeared and stretched whilst angelic, wordless vocals drift by. it is the sound of a blissful passage to the afterlife and will leave you feeling cleansed.

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sail’s sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling that’s even more defiant and deeply personal.

like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

his hard-edged beats, insistent tones, and occasional flash of devious humor make deutschmann a natural addition to the mote-evolver roster: his natural versatility and clear-minded futurism result in compelling club tracks and dj nights, and his mote evolver debut ep lost in a loop is no exception to this rule. with just a simple schematic to work with, deutschmann does what the best producers do and enlivens those simple instructions until they give an illusion of greater complexity.

the ep is a limited edition of 100 black vinyl copies which were made to accompany the special 10 and vinyly records made on clear vinyl containing kits ashes produced by his family for his family and very close friends in rucking memory of kit

all tracks are previously unreleased except for buzzy bee which appears on this is ruckno beetroot records and was included on this vinyl as one of the tracks chosen by his family.

its cat number is fix 77 in respect to the year of his birth.

on the first long player release on ken oath records, we are proud as punch to step away from the dancefloor entirely and bring you a deep journey into the alfresco inspirations of life in the australian bush. sydneys angophora (max santilli and jacob fugar) present scenes, where resting pulses and humid atmospherics frame gentle percussion, warm synth work and tasteful guitar licks that take a note from the balearic handbook but remain clear in their appreciation and respect for the sounds and colours of australian nature. music best listened with the ancient ochres of the australian outback in view. so seamlessly will the sonic palette of scenes fit your surroundings, youll begin to question whether or not these gentle surroundings are being emitted from the wax spinning on your plate or eucalypts whirring in the wind around you

fast on the heels of 2016’s long awaited return sweet sensi records with sensi003 featuring feyder’s that’s my number, the sweet sensi records camp returns again with its fourth and most old skool junglist double 10- vinyl. tim reaper lights up the first side of plate 1 of the release with oh gosh, a proper ’95 style vocal ragga tune. next up is netherland’s fff with his dub-infused amen smasher ‘done with it. locking down the first side of plate 2 is kid lib bringing the spirit of tom and jerry with rare-groove inspired ragga lick ‘nuf luv’. finally closing off the release is sweet sensi records head honcho’s dj clear and co-label owner david jabba’s ‘jungle lovers’ - funky guitar lick and amen smashing beats for your dancefloor. mastered by ten eight seven’s legendary beau and digitals by the one and only fanu you will hear the love put in to this release!!

family, fish, shapes. these are only three of the many topics that stefan streck aka the micronaut recently devoted himself to within his releases on labels such as acker records or analogsoul. always with a clear line, but never intellectualising, is how the multi-instrumentalist and producer pursues his scientific curiosity in terms of sounds. his tracks are elaborate and yet danceable. sometimes they are composed minimally, sometimes they are utterly playful. within just a few bars, subtle sequences transform to energetic roller coaster rides since the micronaut loves having a game with contrasts. his newest ep on freude am tanzen proves this anew.

frits wentink is back with his bobby donny label for his annual special edition vinyl only release for amsterdam institution, mary go wild! bodomrgwld03, features the crystal clear and mesmerizing vocals of loes jongerling, accompanied by frits on keys.

once upon a time, there were two very difficult people who loved music very much. they loved music so much that they stayed together despite having clear signs that it was not necessarily the right thing to do. they made music together, or next to each other, and everything that happened, happened in the music. it was all whatever, but they still like it.

limited pressing, linafornias first vinyl as well as the first full length lp on dome of doom records, clear green vinyl with vinyl only bonus track featuring georgia anne muldrow, shes taken over the decks at low end theory, l.a.s famed experimental club night & scored back-to-back first place finishes at the prestigious beat cinema beat battle, yung is intimate and personal, a journey through her own taste and a worthy continuation of the work done by predecessors like madlib and erykah badu, who have both strongly influenced her, remastered by daddy kev

psyfunk is a record series curated by franco cinelli, driving force of the south american underground dance music landscape and argentina’s most respected producer and dj. with psyfunk, cinelli provides a selection of minutely crafted and slowly-evolving extended dj tools. for this third chapter, cinelli calls on young upcoming talents from argentina and uruguay. opening up the a.side, bodeler lands with his reduced ghettotek funk, which is already one of the deadly dancefloor weapons of some of the most respected djs out there. irresistible! following up, is richard hz. other very promising artist on argentine grounds, hz provides here a burning break track, with clear touches of psychedelic acid and mystery. an ideal track to keep the floor floating in thin air. on the flip! alan castro, hailing from the atlantic coast of bahia blanca, produces here an intimate number packed with melancholy. jazzy relaxing swings under a sea of glitches, afterhour material. bringing this record to the runout is a wonderful and rare appearance of the uruguayan z@p. “mental telepathy” is resolutely funky and a clear flashback to the us midwest right when house became techno.

kyle dixon & michael stein once again steer away from cliché, maintaining the pace they’ve set for themselves while subtly shifting tactics, just enough to keep fans hooked. their lush, deep music quickly shifts with jarring synth blips and misty, creaky chords whilst slowly descending into darkness. pressing on crystal clear vinyl with blue & white splatter.

after releasing cdh006 by pascal viscardi, la chinerie s head honchos g boï et jean mi pursue on their will to make an artistic turn on the label, staying away from the comfort zone and trusting artists with a clear artistic bias and a style of their own to instill. so, here is cdh007 – chienne d humanité by metaphore collectif, marseille based artist donarra. a delicate mixture of greased synthesizers, balearic pads, strong chicago beats & subtle detroit electro. for all possible use only.

nice price deal !!! some things have a special meaning, although not everyone is given to know it, then life becomes a circle, where nothing happens by chance. dark and solid techno: >belief system< is the brand new and big floor ready ep by the italian duo asymptote, mind and soul of suburban avenue label, with a superb remix by the spanish techno legend oscar mulero. a1 >belief system< is a deep and spaced out, 1990s inspired techno journey. a2 is a potent, classy and widely reverberating revisitation of >belief system< track, perfectly executed by the master oscar mulero. b1 >theory of knowledge< and b2 >divided lines< are hard stomping, driving and tripped out tunes >at the beginning we didnt know the path, but our mission was so clear. and its still so<

rich nxt returns to fuse london for his 6th solo ep and it is perhaps his most crucial and striking material yet. these tracks have been destroying parties around the globe all summer from daytime to night time, club to warehouse, all three are certified bangers. from the ridiculous baselines of brigade, the beautifully uplifting vocal of serious and the effect of the synthesis between natural and artificial drum sounds on eight, each track combines moments of twisted raving with crystal clear breaks and heavy drops.

vinyl only - limited to 200. after a short hiatus, blossom kollektiv returns with a brand new limited edition vinyl release. this time around industry veteran, matthias vogt, presents his voyeur ep. no stranger to the label, his latest features three deep and melodic cuts with one remix of the title track from tanzlife v id ensemble. starting things out with “voyeur,” we move into beautiful soundscapes that truly tell a story though its lush melodies, while still packing enough punch to get the crowd going in the right moments of a set. followed by tanzlife v id ensemble’s interpretation, they bring a more traditional deep house version replacing the lush melodies with more club ready synth stabs and pads while reworking the composition for the peak moments in the club. now flipping over to the b-side we start with rubin a track full of sunny time vibes. this is the type of track that you’d love to play during the cold and dark months to bring a little temporary sunshine without it actually being sunny. rich deep pads are paired here with uplifting synths and a classic deep house arrangement to bring bright vibes anytime of the year. finally finishing things off with the comeback, we get something a little different with its tribal percussion and once again feel good vibes but the standout here is mathias’s display as a classically trained pianist, which he displays wonderfully throughout the track. one thing that is clear through his years of music composing experience in electronic music and beyond is you can expect finely crafted works of art that work both on the dance floor and as tools to spark your imagination.

the new ohm compilation from ambidextrous records features some top drawer electronic acts such as norken (delsin, skam, clear) and christ. (formerly boards of canada) and has support from bbc radio 1 in scotland new music in scotland, kiss fm australia brain food, annie mac radio 1 uk, orde meikle (slam djs), amazing beats show - amazing radio & many others.

ltd clear vinyl , four tracks with marcel dettmann / silent servant & pye corner audio

it s been a while since marcello giordani last release. now the man who powerfully relaunch the italo sound in 2008 with the acclaimed blog italo deviance is back on the scene after 2 years of hard work and research into the deepest and obscure italo sound. this 6 tracks lp travel through again into the unique sound of the early 80 s italo disco built with spacey analog sounds, some cheesy atmospheres and a touch of primitive trance chords. marcello s taste is very clear and specific when we speak about electronic disco and this lp is totally inspired by artists like farina/rago, sangy, alexander robotnick, alessandro novaga, doris norton and also from his experience collecting and playing this shit during the last 20 years.
if you want to give a name to the style of this lp, call it -organic italo-.

during the mid-nineties, david kempston secured himself a considerable following while recording releases for the seminal uk labels clear and evolution/universal language. he went on to produce music under various guises including the solid house sounds of cartel productions and his darker electro alias clatterbox. now its 2011 and time seems right to put out a collection of tracks that we have been sitting on for quite a while. 2 very strong and razor sharp electro tracks of the highest order + the main track desolate void, an experimental drone that comes in various different takes through out the ep for a healthy dose of unpleasant frustrated funk atmosphere. this is the first ff release in a new quality series of limited hand numbered and hand stamped colored vinyl 12 inches. highly limited, so act quick!

hike: cristal clear lakes, impressive mountains, soothing forests and berlin techno music. the tazekka national park in morocco features forests of cork oak and holm oak, caves, canyons, rural landscapes, cascades and a mountain jbel tazekka which is some 1.980 meters high. its a joy to hike through, yet it flies under the radar of most visitors to morocco. sometimes, if youre really lucky, you can find a beautiful aragonite near a spring in one of the beautiful caves, that belong to the national park.

cervo is no stranger to producing high quality dancefloor ready house cuts. released on 13th october, ‘deyo / kasoa’ is no exception to this rule. after a tough period mentally and a formative trip to ghana, cervo combines his love for field recordings with his well known take on the classic house structure. the end result is slighter harder than his previous work but signifies his growth and development as an artist. the lead track, ‘deyo’, starts as it means to go on. straight away the punchy and energetic percussions draws you in and remains captivating for the entire track but it’s the melody that stands out. the sense of urgency is soothed by looping bass and piano riffs, complimenting each other perfectly throughout. ‘kasoa’ is approached differently than the flip ‘deyo’, more care and consideration is taken. it slowly builds up with field recordings as the backdrop providing context before allowing a clear and definitive vibe to be established.

a teacher by trade, dr mary sullivan bain recorded her musical works to be used as an educational and motivational tool in the miami-dade public school system she taught in. the single was recorded at miami sound recordings, south florida and released in small numbers as a self-published 12 pressing for educational purposes. copies of ‘do you know black history did not circulate much further than floridas public school libraries and the vaults of some local radio stations when it was released in 1985. produced with no label constraints, mary worked alongside her friend and vocalist herman attaway. she would give him the words and the melody and together they translated her ideas into song. if one wanted to categorise it theyd have to put a copy in a few different boxes … 808s, bass synths, deep chords, live percussion and effects dubbed into the mix. the production leans towards the electronic diy framework that informed the local sound on the south side. whilst the categories are blurred whats clear is that the musicians who made this thought outside of the box.

4 lp incl. tracks by blue mana, blue mora, deadmau5, rezz, draft and more

in celebration of the 30th anniversary of the original arcade release, ship to shore phonoco. is proud to present the vinyl edition of hisayoshi ogura’s score to taito’s darius. one of the most heralded soundtracks in the expansive zuntata canon, darius sounds as fresh and innovative as it did when its sounds filled arcades back in 1987. ogura’s score combines pulsing rhythms with an experimental, avant-garde bent, giving darius high octane action a unique counterpoint. housed in a gatefold jacket and featuring liner notes by both ogura and gamesradar.com writer anthony agnello, darius is available on coloured vinyl.

four perfectly matched tracks from the labels family of producers, based in russia (guydee, black lenin, mutenoise) and uk (darran p), which create a whole story together. you can use tracks from the bright side as twilight feelers for your warmup sessions, or turn on to the dark side to go deeper with your dancefloor. this release is all about the time which is flowing through the night with your mind and your dreams. you are going to love it. a1. guydee chronic hey label creator guydee opens with his unpredictable sample work and a deep concentrated groove, which feels like a massage in your head. a2. black lenin summer storm a hip-hop swingin 4/4 house beat from the russian dj & bass-player anton lymarev is a sample based cut showing off his solid mpc skills, using the fly from the legendary maynard ferguson. b1. darran p regrets the one and only darran pownall (city fly, uk) presents his gentle touch & crystal clear bass with beautiful sound mixing. high quality vibes for all kinds of dancefloors. b2. mutenoise mystical path alex bannikov aka mutenoise brings us the natural dancefloor killer for his debut on the minor notes. this track makes bodies swing every time its played.

comes on clear/gold splattered 10 inch, limited to 200 copies!

hard on the heels of his debut release, the -aloof ep-, anthone delivers a dense and dubbed out two-tracker to the weevil neighbourhood: -double dub- and -clear view-.

as one of fuse s original residents, rich nxt played a major part in the brand s evolution, helping take it from that sunday morning afters to being one of the most respected event brands and labels on the planet ever since the age of 10, rich nxt has been involved in creating his own music. thanks to his early training as both a drummer and keyboardist, nxt has an inherent musicianship fully apparent in his sound and style of production. taking influence from the london rave scene of the early 90s spanning drum n bass and jungle and later the minimal and tech-house scenes of europe, nxt s output found a platform on the now world-class fuse london label (launched in 2011). a core artist for the label, with five solo eps and a collaboration alongside seb zito, rich nxt has been integral to fuse s trademark sound with his debut ep bristle and quixotic ep two of the labels defining moments. nxt and zito s chemistry in the studio is clear with a further two collaborations on fuse sister label infuse. alongside his own productions, nxt s remix catalogue includes seb zito s never with enzo siragusa and his original breakthrough remix of jon maker s seeker , which was championed by tini and many other leading djs in the minimal house scene. by the end of 2016, a residency at amnesia ibiza with hyte x fuse alongside dates at off week in barcelona and several stand out events on fuse s 8th birthday tour including an epic after hours set at berlin s hoppetosse proved nxt is on top of his game. nxt also launched his own imprint nxt records that year, another platform for his own consistently quality output. several releases down the line, nxt s distinctive style layered with intricate percussion, obscure synths and ethereal pads combined with punchy snares and atmospheric vocals is marking out the producer and label as a prime source for djs and vinyl lovers. 2017 sees the launch of a second vinyl only imprint what nxt, a home for musical discoveries that end up buried deep in his own record bag. featuring both emerging talent and established artists from the uk and beyond, what nxt? all roads lead to the rave.

kidnap kid’s birds that fly label got off to a flying start with his ow&#8203,,,,,,n release,‘ moments’ feat leo stannard picking up over two million plays and shaking up the spotify / hype machine charts. next up on the imprint is rising uk star apple&#8203,,,,,,bottom with &#8203,,,,,,‘the ride’ ep, an artist that draws many parallels to kidnap kid’s own early career as he barely has made his way out of his teens but already caught the ear of some of the most sought-after labels and radio establishment. annie mac can’t get enough of him and his releases on kerri chandler’s madtech, zed bias’ biasonic and uk powerhouse black butter records have coined him one of the future figureheads of dance music. applebottom has come to be considered a beatmaker able to transverse genres with that rarest of production talents: the consistent ability to make a straight-up club banger, which makes him the perfect follow up for birds that fly. “‘theride’ was quite a diff&#8203,,,,,,erent piece of music for me, ’he explained of the track, ‘i had been thinking about where i d want to release it and i was pretty stuck. but shortly after i d finished it kidnap kid’s first ep on birds that fly came out, and straight away i felt a connection with the sound and a lot of the music i’ve been making recently. it already feels like it has a clear and distinctive sound forming and i can t wait for my music to be part of that.” applebottom hails from the musical mecca of bristol but shares a pioneering view of its style and output. “&#8203,,,,,,i think a lot of people have just gotten too comfortable making the same sounding dance music - and for me that kind of defeats the point, there’s so much variety in it. i feel that particularly for my generation anyway, we’re a lot younger as producers and it’s kind of our job to be that next generation that produces that next sound. we should be striving to make something new and different and build our own vision of what it should be.

cpu dj tools vol.1 808 tracks cpu s homage to the roland tr-808, the drum machine ubiquitous on binary imprint. cpu label boss chris smith has meticulously rebuilt the drum tracks of classic electro funk records known for their pioneering and influential use of the 808. strictly for djs and mcs, this is an essential tool for remixing, looping or laying vocals over. cut loud and ready for battle.

in early 2017, the young australians from parcels may have only released a couple of tracks and yet they are already being compared to »humanized daft punk who would decide to jam along with steely dan and frank ocean.«
the self-produced hideout ep was created over two years. what remains in early 2017 is a unified piece, an ep that is essentially pop but which shines in a unique, exciting and down right groovy light. as a first completed release from parcels, the hideout ep covers a lot of ground.
tracks range from driving electro thumps to softer pop taps. but what is clear in the end is that parcels bring a unique brand of pop music and deliver it with infectious and emotive dance: »already the musicians have made a statement with their harmonious feel-good funk-pop.« (the 405)

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. in his quest for a unique sound, he constantly reinvented himself, creating projects with new aliases and concepts, scraping together studio time, and hustling. even today, moores music sounds ahead of its time.

cititrax is excited to present the first in a series of 4 song samplers showcasing the talents of some of the most innovative producers of the moment. cititrax: tracks volume one features amato, an edgy new project brought to you by the hacker, tzusing, a young producer from china known for his hard-hitting l.i.e.s. releases, our beloved berlin based former new yorker an-i, and oliver ho’s stunning broken english club. the overall sound can be described as modern, uncompromising and guttural. each artist reinvents dance music by bringing their own unique vision to the floor. artwork designed by veronica vasicka and sourced from polaroids shot in nyc clubs in the 1980s, cititrax: tracks volume one is pressed on blood red clear vinyl.

the uks best kept secret chocky returns to dessous recordings after the success of his first outing, the well received self knowledge ep. here we see the talented dj / producer drop four tracks via the playtime ep - yet more sublime house music for steve bugs imprint. ‘double dip is a chunky, stripped down vibe, reduced the vitals that will slay dancefloors - firing percussion over a shuffling groove and a cut-up vocal reminiscent of pepe bradock. ‘organism is a deep affair - spacy pads provide the counterbalance to the tough drum track, softening the edges but keeping the vibe high. ‘soul alive taps into chockys clear appreciation for the 90s, with a strong vocal, atmospheric strings and a loose yet crispy beat. ‘playtime (dub) brings the whole ep home with yet another stormer - beginning as a driving basement jam but then introducing an unexpected piano riff that flips the script and takes things in a welcome jazzy direction.

the last wrecks of the 2017 comes to you direct from the studio of alphonse, four tracks of bonafide and authentic hardware jams produced to the highest degree. managing to be both unconventional and familiar at the same time, this ep summarises the expertise and originality of an artist that is well versed in the history of electronic dance music. pressed on very special clear blue vinyl.

just this broken promises various artists serie aims to the research of a mix of sounds by producers from different countries, to a journey into a variegated world. melancolic vibes, deep ambient athmospheres. the ep is composed by four tracks, starting with an hunter/game intro instrumental track distance is a crescendo introducing the club scenario. the second track digging into a vibrant groove from architectural. his first appearence on the label.electric soul is a chimical mix between powerful percussions and a stunning synthesizer sequence. running thru a just this classic anterial from pisetzky, clear sound identity from the milan crew, ending with a melodic flow from town new talent altman

it’s time to celebrate, nothing less than 50 releases spread along 17 years of existence. for this very reason we have planned this awesome remixes pack, split in two ep’s based in the limited clear vinyl pattern series originals.
the second ep features shlømo’s modern approach to textures, rolling subbass, shuffled grooves, micro drones and lush pads comprise the equation. maestro donato dozzy approaches color in an old school way, vintage grooves, acid lines and rude sound mixed with resonant sweeps and sci-fi paraphernalia. chevel offers his own personal view on form, mixing pads and atmospheres with 80’s flavored melodies and weird beats ending in industrial madness, a very unique version.

yet more blissful listening comes your way courtesy of the impeccably talented deepchord. as we prepare for the release auratones, the detroit native’s 5th lp for soma, rod delivers the calming northern shores ep.
epic aural formations are always at the forefront of deepchord productions, every minute detail is constructed perfectly as each track gives off subtle nuances that nod to each aspect of modell s sound designer skills. the crystalline sonic formations in cirriforms blend together effortlessly allowing you to drift beyond while the ethereal pads of sky maps guide you through each unending swathe of reverb, each track bonded by subtle rhythms. crystal horizons sees modell delve even deeper, working more with percussive elements as his quintessential synth work seems to sit just beyond perspective, gliding in gently to remind you of an ever reaching presence. sand and shore has deepchord near strip the track of any clear rhythmic structure, with only faint sub bass allowing his uniquely processed field recordings and tranquil yet fluctuating synths to enhance the flow of the track.
a producer like no other, deepchord creates new sonic realms with each release.

gray sky, desolate moor, cold wind and almost anechoic silence, that melt with raw and intimate sounds, acid synths and powerful rhythms. this is the vision of scena_731 label, with base in the hard city of rotterdam, holland. in this release the trio yari greco, ontal and ryuji takeuchi, has clear ideas, a label careful to the digital, but that finds its true and primordial analogical essence in vinyl, in order to -set/fix it-, some of the best releases in limited editions. the third release is on vinyl, sc731003 lp is the summary of an exactly -archived- path, collected and matured in the years from combined experiences of its producers. supported by bas mooy, orphx, violet poison, violet poison, paula temple, isolated lines, orde meikle, eomac, mindcut music, the zone fm, reclaim your city, and more...

unsurprisingly, richard galling, does indeed hail from milwaukee, having released disco inspired jams since about 2012. with his stuff getting plays on the likes of beats in space, he got his name out early. his latest offering is this single that features two original tracks and some remixes too. 303? features the eponymous bass machine all over this deep, arpeggio-heavy tech-disco jam, organ swaps the 303 for a classic robin s-style house organ, and prophet adds some big room bass. also included is a prophet version of clear water, a real late 80s, shep pettibone-style, latin house joint. luke solomons body edit, is absolut dancefloor heat !!

after the last years widely appreciated 12? with two extraterrestial dancefloor cuts on jon rusts levels imprint and a handful of now hard-to-find 7? releases, the estonian musician ruutu poiss returns to his minimal funk and leftfield synth-pop roots releasing a debut ep on international major label. the six selected homerecordings from 2011-2016 reflect almost a chronological and caleidoscopic journey through the authors musical explorations, instrumental storytelling and unique sound design, imaginatively non-locking to specific genres. the ep starts with a massive stadium-hype pop groove that soon descends into an unsteady bassline of emotional undercurrents just to illustrate a clear shift from public to highly private and minute. there onwards its a search for a way out of the rabbit hole, a trip of curious naviagtion and personal reflection. from haunting vocals to vicious toms, celestial soundscapes over restless rubbery bass, shimmering synths over polyrhythmic strcutures an environment of romantic futurism and organic transformation appears, surrounded by a warm psychedelic sound pallette. previous releases played and supported by secretsundaze, benji b, james blake, mary-anne hobbs, call super, omar-s and many others.

after a career spanning more than 25 years john beltran lands on the belgian de:tuned label with the long-awaited follow-up album to his widely acclaimed classic 90s masterpiece “ten days of blue”. on “moth” beltran opens his heart by combining melody, emotion and soul with infectious grooves. as such he lays down the definitive and timeless detroit sound with a clear nod to the early innovators. from 4/4 dance floor burners to tribal shufflers and ambient interludes, “moth” is a well-balanced journey full of blissful atmosphere for both the mind and feet.
the matching artwork was designed by the talented plastica from spain. matt colton took care of the mastering duties to ensure the highest playback quality. the album will be released as a 180 gr vinyl double pack.
de:tuned would like to thank john and everyone that has been involved in the making of this wonderful album. stay tuned!

nocturnal emissions has been one of the best kept secrets of the industrial genre since the 1970s. now here on a beauty of a 2lp comp! tip!